Learnings from Asawa

The expansive Ruth Asawa: Retrospective show at SFMOMA reminded me that art is not a sprint but a lifetime’s unfolding. One artist can move fluidly across mediums and styles, never bound to just one way of making.

What struck me most was how Asawa wove her life and art together. With six children to care for, she didn’t separate her practice from her family—she integrated them. She often worked at home, sometimes involving her children in projects and always encouraging them to create. It’s a tender reminder that making doesn’t have to live apart from living.

I had long thought the ideal studio was a sanctuary apart, but Asawa showed me that the home itself can be a studio, and family can be collaborators.

And sometimes, of course, it’s still good to step out of the house—to take a day trip, to see something new, and to return with fresh eyes.

Untitled Marigold

Untitled Blue Hydrangea

1960s

Watercolor on Paper

Untitled Pink Hydrangea 1980s

Hanging miniature versions of Ruth Asawa’s famous wired hanging sculptures

Untitled, Bouquet from Anni Albers, early 1990s, ink on paper, Ruth Asawa

SF MoMA View

Upcoming Ruth Asawa exhibition dates and more info on where to see here work:

SFMOMA: April 5–September 2, 2025

MoMA, NY: October 19, 2025–February 7, 2026

Guggenheim Bilbao: March 20–September 13, 2026

Fondation Beyeler: October 18, 2026–January 24, 2027

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